The whole while the guy with him is throwing in the occasional "yeah," "wow," and "okay," and then without missing a beat or giving the other guy a chance to change the subject, brutal guy says, "Faulkner was saying that he just worked harder than the other guys, he just wrote. It's like if you want to be the best guitar player ever, if you're like (some guy I've never heard of, and that's saying something because I know almost everyone worth a damn), you have to play like all the time. Now, let's say, with you, you want to be the best mixed martial artist . . . "
Now wait just a God damn minute. This guy is an MMA fighter? No wonder he's so damn bored with your Faulkner stories. Holy hell! This guy sucked butt.
However, the date went well. She's super funny and cool and smart. We'll see how it goes, but that guy . . . Yikes. What a doucher.
Good night.
6 comments:
Well, you've got to admire the MMA fighter's good manners in listening politely to that bore. Glad to hear it didn't spoil your date!
Hooray for a second date with a funny cool girl. That's awesome!
I think some people just like to hear themselves talk. Yuck!
There is something to it though… I keep telling myself that I’m going to write every day, no matter what but I always end up screwing it up. But when I’m able to go a couple weeks, writing every single day, it comes a thousand times easier. When I go a week without, the words just won’t come. Kind of like this comment, sorry!
Radio: Yes, hopefully it works out, but I texted her at 3AM last night, even though I was thinking at the time it was a dumb idea. It wasn't a booty call or anything, but too soon to be doing that. Oh well .. . .
Scott: You're so right, dude. It's easier when you stay in that mode. It's hard when you're hungover too. I need to get off the sauce, even if it worked for Faulkner. What kind of writing do you do?
1PM seems like a funny time to get inspired for cock work. But hey! He was Faulkner! He was a genious!
Michael: I did say COCK WORK! Hahhahahahahhahaha.
I'm editing that now . . . . . . . .
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